As the Choral Artists presents a rich concert of American music, you might wonder what our Dresden-based Composer-Not-in-Residence has been up to. What does it mean to compose across the boundaries of language and culture? How is music changed by the identities of the people writing or performing it? Below, Sylke Zimpel shares her thoughts
What’s it like to move music from your head to the page, then have someone else take it from the page to the concert hall? How do you coalesce a nebulous theme into a singular idea, then evolve that idea into a discrete piece? What do coding and composing have in common? Below, Michael Kaulkin—SFCA
by Katie Bent, alto “…was that right?” The first time we “sang” Schoenberg’s De Profundis, that question was met with a whole lot of nervous laughter. We’d made it through all of seven bars, and even the most confident readers among us weren’t sure if we’d sung any of the right notes, much less if
Ash Stemke is the winner of the San Francisco Choral Artists New Voices Project in 2017-18, for his piece “Be Still and Know.” His composition receives its premiere performances as part of A Rebel’s Christmas: Martin Luther’s Musical Reformation in December 2017. San Francisco Choral Artists: What composer do you particularly admire and why? Ash
San Francisco Choral Artists is thrilled to announce its 2017-18 subscription season! The Choral Artists will present three unique and engaging programs of music for chamber choir PLUS special guests. A Rebel’s Christmas: Martin Luther’s Musical Reformation with special guest narrator Stephen Wilson Saturday, December 9, 2017, 8 PM St. Mark’s Episcopal Church, Palo Alto
In 2015, SFCA Artistic Director Magen Solomon worked together with Dr. Eliza Rubenstein of the Orange County Women’s Chorus to create a free database of choral music by women composers. It was launched as part of a presentation at a conference of the American Choral Directors Association.